WebIphigenia in Splott (2016) Plot Showing all 1 items Jump to: Summaries (1) Summaries Effie, a typical discontented 'youth', finds herself in a situation that makes her rethink her entire life. Synopsis It looks like we don't have a Synopsis for this title yet. Be the first to … WebIphigenia in Splott was first performed at Sherman Theatre on the 8 May 2015 starring Sophie Melville as Iphigenia. The production has gone on to become an international success and has been performed at the Edinburgh Festival Fringe, the Schaubühne in Berlin and at 59E59 Theatres in New York.
Provocative, hilarious
WebA clever and dramatic reworking of the Greek myth of Iphigenia, who was sacrificed by her father so that the Greek forces could set sail and begin the siege of Troy, Iphigenia in Splott -spacing: -1px; line-height: 16px;"> takes the story to a council estate in south Cardiff. Web26 sep. 2024 · Iphigenia in Splott (Lyric Hammersmith). Gary Owen’s blistering modern classic, Iphigenia in Splott, returns with Sophie Melville reprising her role as the bruised and bruising Effie, a young woman drifting through aimless days and alcohol fuelled nights full of self-loathing disguised as a don’t give a shit swagger.But then she meets Lee, a … trying to catch me ridin dirty lyrics
Book tickets to see one-woman play Iphigenia in Splott at Red Stitch
Webiphigeniainsplott 5.9K views. Watch the latest videos about #iphigeniainsplott on TikTok. WebListen to this episode from Theatre First on Spotify. Theatre First Episode 300Stream podcast episodes on demand from www.bitesz.com (mobile friendly).Iphegenia in Splott (Red Stitch)– Red Stitch Theatre, St Kilda, Melbourne, Australia Stumbling down Clifton Street at 11:30 a.m. drunk, Effie is the kind of girl you'd avoid eye contact with, silently … Web8 apr. 2016 · In Gary Owen ‘s one-woman monologue Iphigenia in Splott, Sophie Melville as Effie stalks her home town, picking fights and challenging those who look at her the wrong way. She knows what they’re thinking, ‘Stupid slag. Nasty skank.’ But she tells us this with an arrogance, a new pride, because she doesn’t let it own her. She owns it. phillida and corydon